Descripción
The new home for the Seattle Opera is set on a prominent civic corner just blocks away from the Space Needle, and was driven by a mission: to engage the community with the creativity and drama of making opera. The main concept for the building's façade to act as a theatrical "scrim" prompted the team to use a parameter-driven process. Learn how the team used design computation from concept to construction, using visual programming in Grasshopper software and Dynamo software, and implementing an interoperability workflow using flux to automate a series of Revit adaptive components. Computational iterations early on established a foundation for what would evolve into a powerful user-driven toolset, with parameters built in at multiple scales-from controlling the overall formal geometry, to instantiating different connection types at individual panels.
Aprendizajes clave
- Learn how to implement parametric tools as an integral part of concept design
- Learn how to automate the batch export of an iterative design study
- Learn how to engage the client with dynamic, user-driven design options and real-time optimization metrics
- Learn how to use interoperability across multiple platforms to produce a single, Revit-based design deliverable
Orador
Sarah KottSarah Kott-Tannenbaum is a computational designer interested in façade systems, parametric modeling, and workflow efficiencies. She has a combined 9 years of AEC experience as a project designer at NBBJ, SOM, and Morphosis architects in Los Angles, CA. Her contributions include design, computation, and building performance leadership across several civic, corporate/commercial, education, and healthcare projects. She received her B.S. in Architecture from the University of Virginia, and her Master's of Architecture degree from Washington University in St. Louis.
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